PORTFOLIO 1

PORTFOLIO 1: Tempus fugit

 Mus musculus

 Abney Park Cemetery, London

 Highgate Cemetery, London

 Acherontia atropos

 View from my bedroom, Brighton

 Highgate Cemetery, London

 Homage to Philippe de Champaigne

 Forgotten butterflies...

 Julie's living room, Rochester

 A door long shut...

 Autumn, Brighton

 Unknown woman – this was written on the photograph

The Greek god of memory

 Nothing escapes entropy S = k log W

 Moths gather and die...

 Torrential rain outside my window but sun over Brighton

 Kent

 Film cameras and cigarettes will soon be memories...

 Sussex

 Oryctolagus cuniculus

Memento mori

Memento mori (Latin for “remember you will die”) was a common motif in art and literature from the late Middle Ages to the Industrial Revolution, and sought to remind us of our mortality. It reached its zenith in the 17th-century vanitas (“vanity”) still-life paintings of skulls, hourglasses and other symbols of brevity.

Today, death is viewed much like sex was by the Victorians: the subject is taboo – avoided, and spoken of in euphemisms. It’s an inevitable part of our lives, but we prefer to keep it at arm’s length. Art that explores death and mortality now makes us uncomfortable – reflecting our lives, mirror-like, back at us: Who am I? Where am I going? What have I done?

These photographs are about time passing, things discarded, and endings: my interpretation of memento mori. Superficially, the message seems negative, but it’s not: the photographs remind us that nothing is forever, especially not us, so we should let go of the past, seize opportunities and embrace life.

In earlier periods, memento mori had religious undertones: life is transient and pleasure futile; (do you need all those commas?) so be pious and prepare for Divine Judgement. My message is simpler and less sombre, echoing another Latin phrase – written by Horace 2000 years ago – carpe diem, “seize the day”. Enjoy life before it’s too late.